I work on an eclectic mix of projects
EVERY DAY IS DIFFERENT, THAT’S WHAT I LOVE ABOUT THIS JOB
As well as DOP and camera work, I also love to edit. I prefer editing projects I’ve shot myself, so I can see the ideas I’ve had behind the camera realised in post-production. Editing my own footage drives me to continually hone my skill with a camera. I’m constantly critiquing and learning as I go.
EVERY DAY IS DIFFERENT, THAT’S WHAT I LOVE ABOUT THIS JOB
As well as DOP and camera work, I also love to edit. I prefer editing projects I’ve shot myself, so I can see the ideas I’ve had behind the camera realised in post-production. Editing my own footage drives me to continually hone my skill with a camera.
I’m constantly critiquing and learning as I go.
Showreel
Capital of Cake
DOP | EDITOR
I was DOP and Editor for the 4 part Capital of Cake series created for North York Moors National Park and presented by Great British Bake Off winner David Atherton. My work involved overseeing every aspect of the filming and editing process, ensuring that we delivered a strong visual identity for the series, along with breath-taking footage of the North York Moors from the sky, the sea and the ground.
Mercedes-Benz E Vito
DOP | EDITOR
I was DOP and editor for a series of social media pre-roll films for Mercedes-Benz, each highlighting a different feature of the new Mercedes-Benz EVito.
Steam Railway Diaries – Channel Four
DOP | EDITOR | PHOTOGRAPHER
I served as Director of Photography and editor on Steam Railway Diaries for Channel Four, shaping the visual language of the series from acquisition through final cut. It was a privilege to collaborate with the brilliant producers at Button Down, who conceived and directed the show, and whose clear creative vision and collaborative approach made it a rewarding project to bring to life.
Brickies- BBC3
DOP | Editor | PHOTOGRAPHER
I’ve worked on two series of BBC Three’s Brickies, hired by the brilliant production studio Button Down to oversee Director of Photography duties. As well as looking after the overall look of the show, I also took care of editing and creating the graphic style for the series.
Most of my camera work can be seen in the build montages which I shot and cut. I also did the final passes of each episode in the edit, tightening up scenes and making the final amends given by the series’ Executive Producer. I also directed and oversaw all graphics and animations in both series, and I’m particularly proud to have shot and cut the opening montages.
DIRECTOR | DOP | EDITOR
DIRECTOR | DOP
DIRECTOR | DOP | EDITOR
DIRECTOR | DOP | EDITOR
DIRECTOR | DOP | EDITOR
DIRECTOR | DOP | EDITOR
DOP | EDITOR
DIRECTOR | DOP
DOP | EDITOR
DOP | EDITOR
DOP | EDITOR
DOP | EDITOR
Brickies- BBC3
DOP | Editor | PHOTOGRAPHER
I’ve worked on two series of Brickies, hired by the brilliant production studio Button Down to oversea Director of Photography duties. As well as looking after the overall look of the show, editing and graphics style, most of my camera work can be seen in the build montages which I shot and cut.
I also did the final passes of each episode in the edit tightening up scenes and making final amends from the the series executive producer. I directed and oversee all the graphics and animations in the two series and I’m particularly proud to have shot and cut both the opening montages of each series.
Capital of Cake
DOP | EDITOR
Capital of Cake is a 4 part series with Great British Bake Off winner David Atherton who takes us on a journey around the North Yorkshire Moors National Park with an emphasis on the amazing places to stop for cake.
Along the way he picks up inspiration for his special birthday bake, in honour of the National Park’s 70th anniversary.
Mercedes-Benz E Vito
DOP | EDITOR
I was DOP and editor for a series of social media pre roll films for Mercedes-Benz, each highlighting a feature of the new Mercedes-Benz EVito.
Steam Railway Diaries – Channel Four
DOP | EDITOR
I served as Director of Photography and editor on Steam Railway Diaries for Channel Four, shaping the visual language of the series from acquisition through final cut. It was a privilege to collaborate with the brilliant producers at Button Down, who conceived and directed the show, and whose clear creative vision and collaborative approach made it a rewarding project to bring to life.
DOP | EDITOR
DIRECTOR | DOP | EDITOR
DIRECTOR | DOP | EDITOR
DIRECTOR | DOP | EDITOR
DIRECTOR | DOP | EDITOR
DIRECTOR | DOP | EDITOR
DOP | EDITOR
DIRECTOR | DOP
DOP | EDITOR
DOP | EDITOR
DOP | EDITOR